Scared Cupcakes

I’m at the counter of a Denver bakery next to a bikram yoga studio waiting on a blueberry scone and leafing idly through a stack of promotional cards advertising the services of a psychic who’s running a special: a one hour reading for $55. Next to me, the glass bakery case reads “Please don’t scare the cupcakes! (no hanging or touching of the glass!). The Psychic claims that she’ll read my aura, my chakras, and my past lives because “everything is energy and holds a vibration.” I misread this as “everything is energy and holds a vibrator” which causes me to snort in laughter and draws looks of calumny from the lycra-clad yogis around me. I slip one of the cards into my pocket and slink off to a corner table.

I love advertisements because they express what remains unwritten in our official culture. They speak to desire, and no doubt Freud would have a grand old time with my gaffe.

But this one ad card is different, or rather no different but in a different way. Read More…

(Beach) Apocalypse Now

May 26, 2010

A Day at the Beach, Baton Rouge, Lousiana (REUTERS/Sean Gardner)

I love this photo in a kind of “postcards from the apocalypse” kind of way. The way the photo inverts the usual overly bright and shiny beach postcard genre. It’s gorgeously unsentimental and tragic.

The manufacturing of a safe beach outing, complete with a garden hose to pipe in safe water and oil derrick peeking above the horizon.

Gives me a kind of Cormac McCarthy Road moment (but with less dinginess).

From a recent Big Picture series documenting the oil’s invasion of the Louisiana. As always, great photos to check out if you have a minute.

Post image for Reading Virgil on the NY Stock Exchange Floor

Lower Manhattan, New York City
7a.m. I rest in front of George Washington’s statue at Federal Hall at 26 Wall Street. I sit with my camera bag waiting for the light to move so I can get a good exterior shot of the Stock Exchange across the street. I am on assignment this morning recording a segment on the Exchange’s trading floor.

Washington’s statue tells me that he took the Nation’s first Presidential oath of office here on the balcony, the last day of April, 1789. The Stock Exchange across the street was formally started in May a few years later.

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…snapping her phone shut:

“Well, that was Dan, he did it, he bought that place near me with the dead guy in the septic.”

“I don’t know why he doesn’t just haul that thing outta there, walk across the border, and chuck it into Canada.”

- Two older Montana women overheard in the Denver Airport between connecting flights (Saturday).

Where the Stress Falls

April 15, 2010 Squirrels Inside My Brain
Keats Melodies Tattoo

Spondees are the best words to whisper in the dark.

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On Blindness and Insight

April 13, 2010 Squirrels Inside My Brain
Oedipus

I want this man to translate the tongues I cannot read, and bend the mute leaves into song. But I suspect he cannot. He can only, like me, mourn the loss of shade and take refuge from the whine and hydraulic screams of the bulldozers.

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A Personal Geography: Ouray, Colorado

April 7, 2010 Childhood Delusions
Thumbnail image for A Personal Geography: Ouray, Colorado

In 1976, we took a summer camping trip to Ouray/Silverton Colorado area. As he drove our family station wagon, I sat in the back seat piling wads of gum into my jaw like it was chewing tobacco. The sound of his harmonica floated back from the front of the car as an accompanying soundtrack to the dream I projected on the station wagon’s back window. I had just pitched a no-hitter in some corn-fed Midwet town like Murphysboro and here we were, jammed into a station wagon moving along to the next town, the next game, with a Midwest sun dying into the immensity of corn.

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Light & Letters | Words & Images of Hunger

March 31, 2010 American Metaphors
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Radio can pierce. Voice stabs me in a way very few things do. Someone’s voice on the radio is intimate, like you’re either being held by them or holding them. Close.

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Ten Most Influential Books

March 30, 2010 flotsam
William Blake's Jerusalem

My friend Tim, on his blog, burns the “Ten Most Influential Books” internet meme flame and asks what are yours? It got me thinking (as it’s supposed to), but rather than clog up his blog comments as I usually do, I dashed off a list here.

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Quentin Tarantino’s Inglourious Basterds, Ash Wednesday and the Mark of Cain

March 5, 2010 American Metaphors
Thumbnail image for Quentin Tarantino’s <em>Inglourious Basterds</em>, Ash Wednesday and the Mark of Cain

Given that the swastika is often read as a kind of perverted cross, and the marking of the forehead has a particular religious resonance, we can read that Raine’s forehead carvings invert the Ash Wednesday observance. The Ash Wednesday marking is a highly ritualized display of absolution. Raine’s marking scenes are highly stylized rituals of condemnation intended to foreclose such absolution. Aldo’s knife is a pen (however worn the analogy) with which he carves/writes/creates a space where evil cannot repent, a person cannot be forgiven, cannot switch sides, cannot become new, cannot shed a uniform for new clothes and be cleansed.

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Talkin’ ’Bout My Generation?

February 7, 2010 American Metaphors
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Now, finding my daughter hula-hooping or wearing wigs (even a man-wig) isn’t surprising. She scours thrift and costume stores for groovy wigs and is building a nice collection. She’s got a Liz Taylor wig, two Amelia Earhart wigs, a Paula Dean wig. Her Roger Daltrey wig is her only man-wig. It’s the combination of the wig and The Who and what those things meant to me in my own identity-formation that took me back a bit, equally as much as hearing my guileless pre-teen daughter belt out “we’re all wasted.”

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Goodnight Keith Moon: Some Post Super Bowl Bedtime Reading

February 7, 2010 flotsam

Back in November, Bruce Worden and Clare Cross offered up this updated, and creepier, version of the 1947 classic children’s picture book by Margaret Wise Brown, Goodnight Moon. This parody features Keith Moon (1946-1978)…

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The Super Bowl as directed by Tarantino, Lynch, Anderson, Godard, Herzog

February 6, 2010 American Metaphors

What might the Super Bowl look like if directed by Quentin Tarantino, David Lynch, Wes Anderson, Jean-Luc Godard, or Werner Herzog?

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Going out in Style

February 5, 2010 flotsam
Jonathan Schwartz Twitter

Recently deposed Sun Microsystems front man Jonathan Schwartz resigns with a haiku on Twitter, giving the world two things it needs: more poetry and fewer CEOs.

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Infinite Jest: Rodent shifts Time-Space Continuum and Other Thoughts on a Minor Holiday

February 2, 2010 American Metaphors
Roberto Bolano: New Fiction in the New Yorker

It’s fitting on a day in which a largish varmint shivs the meteorological time-space continuum that the popular U.S. show Lost returns to explode what’s left of our collective brains. When we last left the hapless survivors of Oceanic 815 they too had cut loose from the time-space continuum (ok, I’ll stop using that phrase cause I don’t really know what it means because it involves math and I have all the mathematical prowess of a weather-predicting whistle-pig).

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Werner Herzog Reads Curious George

January 29, 2010 Encountering the Wild
Werner Herzog

Well, it’s not Herzog. One would have a hard time nailing the Herzog accent, though as my family will tell you I try rather too frequently.

Some of the lines quite wonderfully recall Herzog’s philosophies.

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When Less is More | a J.D. Salinger Appreciation

January 28, 2010 American Metaphors
Thumbnail image for When Less is More | a J.D. Salinger Appreciation

He’s been gone for forty-four years, but today he passed over. Expect the mainstream media to wallow in the “J.D. Salinger” question for the next week: they’ll enshrine his absence from public life all these years and ask whether or not his life was good, or bad.

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Howard Zinn: 1922-2010

January 28, 2010 American Metaphors
Howard Zinn

After reading Zinn’s A People’s History of the United States, Bruce Springsteen sat down, wrote, and recorded “Nebraska,” perhaps his best social and political work. Zinn once said he decided to write A People’s History after listening to Woody Guthrie’s lyrics about Colorado’s Ludlow Massacre. Guthrie goosed Bob Dylan towards political consciousness who in turn moved Springsteen to consider writing stories “from below” — stories against the grain of the “great men” theory of history.

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