From the category archives:

American Metaphors

800px-Crossofashes.jpgI had just watched Quentin Tarantino’s Inglourious Basterds the night before Ash Wednesday (a raucous Fat Tuesday, eh?), and was reading through various online news Ash Wednesday morning when I saw the news blip that British TV Host, Kay Burley, mistook Vice-President Joe Biden’s Ash Wednesday forehead smudge for a bruise. Rounding out the story was the background that Biden is the first Catholic vice president, and the first Executive branch figure to appear in public with the Ash Wednesday mark. Kennedy, our only other “openly Catholic” executive was never photographed with a forehead mark of the cross, though his life perhaps is a cultural landmark of mortality.
inglourious_basterds_man_with_swastika_carved_in_forehead.jpg

Burley and her co-host wondered aloud whether Biden had run into a door or slipped on the ice at the Vancouver Olympics. When I saw the photo of Biden, I also didn’t think “oh right, Ash Wednesday mark,” my mind went right back to Quentin Tarantino’s Inglourious Basterds, which, I’d like to offer ain’t that far a jump.

Inglourious Basterds puts forth more than a few signifying foreheads. There is the central “let me give you something you can’t take off” carve a swastika in the forehead of the surrendering soldier scenes of course, but there is also a Golem story early on, and the “Indian Poker” game played in the bar scene (Native American riffs are everywhere in this film). [Continue Reading…]

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Post image for Talkin’ ’Bout My Generation? <br /><h6>Roger Daltrey Wigs, Quadrophenia, The Who, and Teenage Identity </h6>

Back in my adolescent narcissistic bubble, the months preceding December 8, 1982 was dark. Yeh, I was sixteen, had my driver’s license and pretty much unfettered access to a car. I had a girlfriend and my jump shot got me all kinds of attention in the halls and in the locker room; but I was spending hours upstairs locked inside my bedroom air guitaring for hours to The Who’s Quadrophenia, bathing my mind in the rock opera’s baroque amphetamine-fueled suicidal dreams and existential teenage angst.

The album is a weird, wonderful, conceptual mashup of identity and rage, mixing tensions between the four original band members with a progression of drug use and dissociative identity disorders: specifically schizophrenia and split/multiple personalities.

Just like high school. [Continue Reading…]

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What might the Super Bowl look like if directed by Quentin Tarantino, David Lynch, Wes Anderson, Jean-Luc Godard, or Werner Herzog? Maybe it’s because I grew up in Chicago, maybe because I love Herzog, but the Herzog section at the end tickles (starting around 2:40).

Missing only from this pantheon is Guy Ritchie, who took his shot in this “football” commercial. Hit the jump to view his classic Nike spot. [Continue Reading…]

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Infinite Jest Today1698.LOST.jpg
Well, we all know that Phil the rodent has awakened in his Punxsutawney burrow, ambled topside, cast his shadow, and gone back to sleep.

It’s fitting on a day in which a largish varmint shivs the meteorological time-space continuum that the popular time-space continuum-shivving show Lost returns to explode what’s left of our collective brains. When we last left the hapless survivors of Oceanic 815 they too had cut loose from the time-space continuum (ok, I’ll stop using that phrase cause I don’t really know what it means. I know it involves math and I have all the mathematical prowess of a weather-predicting whistle-pig).

Back on point: the whole O815 survivor group was stuck in the island’s past but their own biological present. They were in the midst of dropping an atomic bomb down the old hatch in hopes creating an explosion that would prevent their plane from crashing and thus reboot each of their individual history/time clocks and destroy/disrupt the Valenzetti Equation (the fictional Fibonnaci-esque number-sequence: 4, 8, 15, 16, 23, 42 which recurs as part of the show’s motif).

Because dropping a thermonuclear warhead is always the answer.
[Continue Reading…]

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When Less is More | a J.D. Salinger Appreciation

January 28, 2010 in  American Metaphors
Thumbnail image for When Less is More | a J.D. Salinger Appreciation

He’s been gone for forty-four years, but today he passed over. Expect the mainstream media to wallow in the “J.D. Salinger” question for the next week: they’ll enshrine his absence from public life all these years and ask whether or not his life was good, or bad.

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Howard Zinn: 1922-2010

January 28, 2010 in  American Metaphors
Howard Zinn

After reading Zinn’s A People’s History of the United States, Bruce Springsteen sat down, wrote, and recorded “Nebraska,” perhaps his best social and political work. Zinn once said he decided to write A People’s History after listening to Woody Guthrie’s lyrics about Colorado’s Ludlow Massacre. Guthrie goosed Bob Dylan towards political consciousness who in turn moved Springsteen to consider writing stories “from below” — stories against the grain of the “great men” theory of history.

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Broadsheets and Chalkboards | The Daily Talk

December 8, 2009 in  American Metaphors
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The swan song for traditional media is as incessant as it is unquestioned. Don’t tell that to San Francisco’s Dave Eggers or Liberia’s Alfred Sirleaf. In radically different ways, under radically different conditions, they both open a space for the newspaper’s relevance in a landscape of navel-gazing corporate media non-stop blather-a-thon (oh, and blogs, let’s not forget blogorrhea).

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The Upper Cut: Walt Young Hangs up His (and his Father’s) Shears

October 30, 2009 in  American Metaphors
Thumbnail image for The Upper Cut: Walt Young Hangs up His (and his Father’s) Shears

Walt Young cut hair on East Colfax in Denver for 60 years. His chair was less than 6 feet from the sidewalk, a constant parade of homeless winos. Walt never let that thin sheet of glass get in the way. Everyone came in to his shop.

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Born on Third: on Drinking with Racists (Strike One)

October 27, 2009 in  American Metaphors
Make Cocktails Not War

A friend of mine likes to tell the joke: the reason I don’t like George Bush is that he was born on third base and he thinks he hit a triple.

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Hardin Jail: (American Police Force) President Michael Hilton: Scam Artist or True Western Hero?

September 30, 2009 in  American Metaphors
Michael Hilton of American Police Force in Hardin, Montana to discuss plans for Hardin Jail

Here’s a new joke we tell out here in the windswept plains of eastern Montana: what do you get when you cross a wanna-be Serbian Militant with a Southern California car salesman? That’s right, the keys to the Hardin Jail.

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The Fix Is In (140Miles East of Cool Recommends)

September 24, 2009 in  American Metaphors
Thumbnail image for The Fix Is In (140Miles East of Cool Recommends)

OK. You surrender. The little white flag is now raised high over your cubicle. Your weekend is all laid out for you. After taking the kids to see Cloudy With a Chance of Meatballs you’ll take in The Informant. Why? Helloooooo. Do you really think we have a choice? Is NOT choosing to slap down the green on the new Diablo Cody/Megan Fox vehicle Jennifer’s Body really “voting with your dollars” or are you caught in a double-bind with your consumptive choices cordoned all around you and shoveled down your sometimes-metaphorical throat?

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In Defense of Fanaticism: Breaking Into the Twin Towers

September 11, 2009 in  American Metaphors
World Trade Center Twin Towers

They were a ragtag band living overseas watching the World Trade Center towers go up. And they knew, even before the towers were built, that they were going to break into the towers; they knew they were going to commit crimes.

They spent six years planning every aspect of the operation: where to hide inside the building, how to sneak in, the rotations of the guards. It was an exercise in extreme detail and brilliance.

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Obama Wets His Line in Montana

September 9, 2009 in  American Metaphors
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I often find myself checking out the White House Flickr stream, partly because I like Pete Souza’s photography, and partly because Souza uses the same camera and similar lenses to me which makes me curious about his shots (and Flickr posts much of the metadata so the nerds can check out lens, aperture, etc.)

I also find that on the White House Flickr stream, one can find really candid and interesting photos. For example this one, where the Park Ranger at Grand Canyon is clearly holding the President’s ear while the Obama kids are bored out of their skulls, hunched over in the hot sun with that “dad, can we just go now” body slump.

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The Public Option in Short: Robert Reich Lays It Out

September 8, 2009 in  American Metaphors
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National Park Fee Free Days, in a word, glorious

July 16, 2009 in  American Metaphors
Thumbnail image for National Park Fee Free Days, in a word, glorious

While Yellowstone is posting record numbers of visitors this year, National Parks as a whole have seen attendance slide in recent years.

In hopes of reversing the trend and re-introducing folks to our wonderful public lands heritage, Interior Secretary Ken Salazar announced back in June that the Department would waive entrance fees nationwide to all parks on three prime summer weekends. This is no small offer as park entrance fees have really climbed in past years. Nearby Yellowstone sits at $25 for entrance (that does give in and out privileges for 7 days).

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Weekend Update: the Vacuous Morsel Edition

June 27, 2009 in  American Metaphors
Shakespeare's Hamlet

in which we discuss Michael Jackson, Willie Nelson, Shakespeare’s Hamlet, Homer’s Odyssey, Slavoj Zizek, the algorithmic brains of Google, Mark Sanford, Twitter, the advertising wiles of Abercrombie & Fitch, and the ongoing infantilization of culture (on a Saturday no less!).

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A tough day to be a blonde

June 25, 2009 in  American Metaphors
Farrah Fawcett

Millions of us grew up in the ’70s and 80s playing “cowboys and indians” by day and staring at her poster by night.

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Infinite Summer

June 24, 2009 in  American Metaphors
David Foster Wallace

Like David Foster Wallace, I grew up in Illinois, struggled with depression, and had a fierce addiction to chewing tobacco. The similarities end there.

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