Given that the swastika is often read as a kind of perverted cross, and the marking of the forehead has a particular religious resonance, we can read that Raine’s forehead carvings invert the Ash Wednesday observance. The Ash Wednesday marking is a highly ritualized display of absolution. Raine’s marking scenes are highly stylized rituals of condemnation intended to foreclose such absolution. Aldo’s knife is a pen (however worn the analogy) with which he carves/writes/creates a space where evil cannot repent, a person cannot be forgiven, cannot switch sides, cannot become new, cannot shed a uniform for new clothes and be cleansed.
All sight is a form of nostalgia for something lost.
They were a ragtag band living overseas watching the World Trade Center towers go up. And they knew, even before the towers were built, that they were going to break into the towers; they knew they were going to commit crimes.
They spent six years planning every aspect of the operation: where to hide inside the building, how to sneak in, the rotations of the guards. It was an exercise in extreme detail and brilliance.