From the category archives:

American Metaphors

Scared Cupcakes

I’m at the counter of a Denver bakery next to a bikram yoga studio waiting on a blueberry scone and leafing idly through a stack of promotional cards advertising the services of a psychic who’s running a special: a one hour reading for $55. Next to me, the glass bakery case reads “Please don’t scare the cupcakes! (no hanging or touching of the glass!). The Psychic claims that she’ll read my aura, my chakras, and my past lives because “everything is energy and holds a vibration.” I misread this as “everything is energy and holds a vibrator” which causes me to snort in laughter and draws looks of calumny from the lycra-clad yogis around me. I slip one of the cards into my pocket and slink off to a corner table.

I love advertisements because they express what remains unwritten in our official culture. They speak to desire, and no doubt Freud would have a grand old time with my gaffe.

But this one ad card is different, or rather no different but in a different way. Read More…

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(Beach) Apocalypse Now

May 26, 2010

A Day at the Beach, Baton Rouge, Lousiana (REUTERS/Sean Gardner)

I love this photo in a kind of “postcards from the apocalypse” kind of way. The way the photo inverts the usual overly bright and shiny beach postcard genre. It’s gorgeously unsentimental and tragic.

The manufacturing of a safe beach outing, complete with a garden hose to pipe in safe water and oil derrick peeking above the horizon.

Gives me a kind of Cormac McCarthy Road moment (but with less dinginess).

From a recent Big Picture series documenting the oil’s invasion of the Louisiana. As always, great photos to check out if you have a minute.

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Post image for Reading Virgil on the NY Stock Exchange Floor

Lower Manhattan, New York City
7a.m. I rest in front of George Washington’s statue at Federal Hall at 26 Wall Street. I sit with my camera bag waiting for the light to move so I can get a good exterior shot of the Stock Exchange across the street. I am on assignment this morning recording a segment on the Exchange’s trading floor.

Washington’s statue tells me that he took the Nation’s first Presidential oath of office here on the balcony, the last day of April, 1789. The Stock Exchange across the street was formally started in May a few years later.

Read More…

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…snapping her phone shut:

“Well, that was Dan, he did it, he bought that place near me with the dead guy in the septic.”

“I don’t know why he doesn’t just haul that thing outta there, walk across the border, and chuck it into Canada.”

- Two older Montana women overheard in the Denver Airport between connecting flights (Saturday).

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Light & Letters | Words & Images of Hunger

March 31, 2010 American Metaphors
Thumbnail image for Light & Letters | Words & Images of Hunger

Radio can pierce. Voice stabs me in a way very few things do. Someone’s voice on the radio is intimate, like you’re either being held by them or holding them. Close.

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Quentin Tarantino’s Inglourious Basterds, Ash Wednesday and the Mark of Cain

March 5, 2010 American Metaphors
Thumbnail image for Quentin Tarantino’s <em>Inglourious Basterds</em>, Ash Wednesday and the Mark of Cain

Given that the swastika is often read as a kind of perverted cross, and the marking of the forehead has a particular religious resonance, we can read that Raine’s forehead carvings invert the Ash Wednesday observance. The Ash Wednesday marking is a highly ritualized display of absolution. Raine’s marking scenes are highly stylized rituals of condemnation intended to foreclose such absolution. Aldo’s knife is a pen (however worn the analogy) with which he carves/writes/creates a space where evil cannot repent, a person cannot be forgiven, cannot switch sides, cannot become new, cannot shed a uniform for new clothes and be cleansed.

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Talkin’ ’Bout My Generation?

February 7, 2010 American Metaphors
Thumbnail image for Talkin’ ’Bout My Generation?

Now, finding my daughter hula-hooping or wearing wigs (even a man-wig) isn’t surprising. She scours thrift and costume stores for groovy wigs and is building a nice collection. She’s got a Liz Taylor wig, two Amelia Earhart wigs, a Paula Dean wig. Her Roger Daltrey wig is her only man-wig. It’s the combination of the wig and The Who and what those things meant to me in my own identity-formation that took me back a bit, equally as much as hearing my guileless pre-teen daughter belt out “we’re all wasted.”

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The Super Bowl as directed by Tarantino, Lynch, Anderson, Godard, Herzog

February 6, 2010 American Metaphors

What might the Super Bowl look like if directed by Quentin Tarantino, David Lynch, Wes Anderson, Jean-Luc Godard, or Werner Herzog?

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Infinite Jest: Rodent shifts Time-Space Continuum and Other Thoughts on a Minor Holiday

February 2, 2010 American Metaphors
Roberto Bolano: New Fiction in the New Yorker

It’s fitting on a day in which a largish varmint shivs the meteorological time-space continuum that the popular U.S. show Lost returns to explode what’s left of our collective brains. When we last left the hapless survivors of Oceanic 815 they too had cut loose from the time-space continuum (ok, I’ll stop using that phrase cause I don’t really know what it means because it involves math and I have all the mathematical prowess of a weather-predicting whistle-pig).

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When Less is More | a J.D. Salinger Appreciation

January 28, 2010 American Metaphors
Thumbnail image for When Less is More | a J.D. Salinger Appreciation

He’s been gone for forty-four years, but today he passed over. Expect the mainstream media to wallow in the “J.D. Salinger” question for the next week: they’ll enshrine his absence from public life all these years and ask whether or not his life was good, or bad.

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Howard Zinn: 1922-2010

January 28, 2010 American Metaphors
Howard Zinn

After reading Zinn’s A People’s History of the United States, Bruce Springsteen sat down, wrote, and recorded “Nebraska,” perhaps his best social and political work. Zinn once said he decided to write A People’s History after listening to Woody Guthrie’s lyrics about Colorado’s Ludlow Massacre. Guthrie goosed Bob Dylan towards political consciousness who in turn moved Springsteen to consider writing stories “from below” — stories against the grain of the “great men” theory of history.

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Broadsheets and Chalkboards | The Daily Talk

December 8, 2009 American Metaphors
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The swan song for traditional media is as incessant as it is unquestioned. Don’t tell that to San Francisco’s Dave Eggers or Liberia’s Alfred Sirleaf. In radically different ways, under radically different conditions, they both open a space for the newspaper’s relevance in a landscape of navel-gazing corporate media non-stop blather-a-thon (oh, and blogs, let’s not forget blogorrhea).

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The Upper Cut: Walt Young Hangs up His (and his Father’s) Shears

October 30, 2009 American Metaphors
Thumbnail image for The Upper Cut: Walt Young Hangs up His (and his Father’s) Shears

Walt Young cut hair on East Colfax in Denver for 60 years. His chair was less than 6 feet from the sidewalk, a constant parade of homeless winos. Walt never let that thin sheet of glass get in the way. Everyone came in to his shop.

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Born on Third: on Drinking with Racists (Strike One)

October 27, 2009 American Metaphors
Make Cocktails Not War

A friend of mine likes to tell the joke: the reason I don’t like George Bush is that he was born on third base and he thinks he hit a triple.

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Hardin Jail: (American Police Force) President Michael Hilton: Scam Artist or True Western Hero?

September 30, 2009 American Metaphors
Michael Hilton of American Police Force in Hardin, Montana to discuss plans for Hardin Jail

Here’s a new joke we tell out here in the windswept plains of eastern Montana: what do you get when you cross a wanna-be Serbian Militant with a Southern California car salesman? That’s right, the keys to the Hardin Jail.

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The Fix Is In (140Miles East of Cool Recommends)

September 24, 2009 American Metaphors
Thumbnail image for The Fix Is In (140Miles East of Cool Recommends)

OK. You surrender. The little white flag is now raised high over your cubicle. Your weekend is all laid out for you. After taking the kids to see Cloudy With a Chance of Meatballs you’ll take in The Informant. Why? Helloooooo. Do you really think we have a choice? Is NOT choosing to slap down the green on the new Diablo Cody/Megan Fox vehicle Jennifer’s Body really “voting with your dollars” or are you caught in a double-bind with your consumptive choices cordoned all around you and shoveled down your sometimes-metaphorical throat?

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In Defense of Fanaticism: Breaking Into the Twin Towers

September 11, 2009 American Metaphors
World Trade Center Twin Towers

They were a ragtag band living overseas watching the World Trade Center towers go up. And they knew, even before the towers were built, that they were going to break into the towers; they knew they were going to commit crimes.

They spent six years planning every aspect of the operation: where to hide inside the building, how to sneak in, the rotations of the guards. It was an exercise in extreme detail and brilliance.

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Obama Wets His Line in Montana

September 9, 2009 American Metaphors
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I often find myself checking out the White House Flickr stream, partly because I like Pete Souza’s photography, and partly because Souza uses the same camera and similar lenses to me which makes me curious about his shots (and Flickr posts much of the metadata so the nerds can check out lens, aperture, etc.)

I also find that on the White House Flickr stream, one can find really candid and interesting photos. For example this one, where the Park Ranger at Grand Canyon is clearly holding the President’s ear while the Obama kids are bored out of their skulls, hunched over in the hot sun with that “dad, can we just go now” body slump.

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